Paris's
largest
monument is
the
Louvre ,
for
centuries
the site of
the French
court, and
renowned
today as one
of the
world's
greatest art
galleries.
It began
life as a
fortress,
built by
Philippe-Auguste
in 1200 as a
place to
store his
scrolls,
jewels and
swords.
Charles V
was the
first French
king to
actually
live there,
but it
wasn't until
the reign of
François I,
in the mid-sixteenth
century,
that the
foundations
of the
palace were
laid and the
fortress
demolished.
From then on,
almost every
sovereign
added to it.
Twice, it
came very
close to
being
demolished.
The first
occasion was
under Louis
XIV, when
Bernini was
very nearly
hired to
redesign the
palace. His
proposal was
to raze it
to the
ground and
start from
scratch, but
fortunately,
he lost the
commission.
The palace's
other close
shave came
in the mid-eighteenth
century,
when the
Louvre was
taken over
by artists
and
squatters;
over a
hundred
different
families
lived around
the cour
Carrée.
Louis XV's
response was
to call for
its
immediate
destruction,
but he was
eventually
dissuaded by
his
officials.
Every
alteration
and addition
up to 1988
created a
surprisingly
homogeneous
building,
with a
grandeur,
symmetry and
Frenchness
entirely
suited to
this most
historic of
Parisian
edifices.
Then came
the most
recent
addition,
made by
President
Mitterrand
as part of
his Grand
Louvre
renovation
project - a
huge glass
pyramid, set
bang in the
centre of
the cour
Napoléon. It
was an
extraordinary
leap of
daring and
imagination.
Conceived by
the Chinese-born
architect
Ieoh Ming
Pei, it has
no
connection
to its
surroundings,
save as a
symbol of
symmetry.
Mitterrand
also managed
to persuade
the Finance
Ministry to
move out of
the northern
Richelieu
wing. Its
two
courtyards
were roofed
over in
glass and
now house
the museum's
French
sculpture
and the
Objets d'Art
collections.
A public
passageway,
the
passage
Richelieu
, linking
the cour
Napoléon
with rue de
Rivoli,
allows you
to look down
into these
courtyards.
Mitterrand's
project also
dramatically
extended the
Louvre
underground,
with the
entrance
hall, the
Hall
Napoléon
, beneath
the Pyramid,
leading into
a series of
galleries
known as the
Carrousel
du Louvre
. Smart
shops,
restaurants,
exhibition
and
conference
spaces fill
the vast
spaces, and
an inverted
glass
pyramid lets
in light
from place
du Carrousel.
Napoleon's
pink marble
Arc du
Carrousel
, just east
of place du
Carrousel,
which
originally
formed a
gateway for
the former
Palais des
Tuileries,
has always
looked a bit
out of
place; now
it is
definitively
and
forlornly
upstaged by
the Pyramid.
The
Palais du
Louvre
itself
houses
four museums
: the Musée
du Louvre;
the Musée de
la Mode et
du Textile;
the Musée
des Arts
Décoratifs;
and the
Musée de la
Publicité.
Each has
been
revamped
under the
Grand Louvre
project, and
each is an
important
collection
in its own
right, but
the most
renowned by
far - and
the
reason to
come to
Paris for
many of its
visitors -
is the
mighty
Musée du
Louvre .