Physical recovery was remarkably quick.
Within six or seven years few signs of
the fighting remained. Visitors remarked
admiringly on the teeming streets, the
expensive shops and energetic nightlife.
Charles Garnier's Opéra was opened in
1875. Aptly described as the "triumph of
moulded pastry", it was a suitable image
of the frivolity and materialism of the
so-called naughty Eighties and Nineties.
In 1889, the
Eiffel Tower stole
the show at the great Exposition. For
the 1900 repeat, the
Métropolitain
(métro) - or Nécropolitain, as it was
dubbed by one wit - was unveiled.
The lasting social consequence of the
Commune was the confirmation of the them-and-us
divide between bourgeoisie and working
class. Any stance other than a
revolutionary one after the Commune
appeared not only feeble, but also a
betrayal of the dead. In the years up to
World War I, none of the contradictions
had been resolved and the parties began
to polarize. The trade union movement
unified in 1895 to form the
Confédération Générale du Travail
(CGT), and in 1905 Jean Jaurès and Jules
Guesde founded the Parti Socialiste
(also known as the SFIO). On the extreme
right, fascism began to make its ugly
appearance with Maurras' proto-Brownshirt
organization, the Camelots du Roi, which
inaugurated another French tradition -
of violence and thuggery on the far
Right.
Yet despite - or maybe in some way
because of - these tensions and
contradictions, Paris provided the
supremely inspiring environment for a
concentration of artists and writers
- the so-called Bohemians , both
French and foreign - such as Western
culture had rarely seen before.
Impressionism, Fauvism and Cubism were
all born in Paris in this period, while
French poets like Apollinaire, Laforgue,
Max Jacob, Blaise Cendrars and André
Breton were preparing the way for
Surrealism, concrete poetry and
symbolism. Film, too, saw its first
developments. After World War I, Paris
remained the world's art centre, with an
injection of foreign blood and a shift
of venue from Montmartre to
Montparnasse.
As Depression deepened in the
1930s and Nazi power across the Rhine
became more menacing, fascist thuggery
and anti-parliamentary activity
increased in France, culminating in a
pitched battle outside the Chamber of
Deputies in February 1934. The effect of
this fascist activism was to unite the
Left, including the Communists, led by
the Stalinist Maurice Thorez, in the
Popular Front , who went on to win
the 1936 elections with a handsome
majority in the Chamber.